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Jack Chevalier has exhibited at Linda Hodges Gallery for over three decades. In his most recent solo exhibition, his 16th, Chevalier expanded upon his lexicon of social and political content to include historical references and the personalities that define them, in a format that assumes a condensed postmodern linear narrative. Utilizing a mixed-media approach, Chevalier creates a narrative through a juxtaposition of visual cues unlimited by a stylistic time frame, materiality, or morphology of depiction.



Born in Columbus, Ohio and educated at the Cleveland Art Institute and the University of Illinois, Chevalier arrived in Seattle in the late 1970s and lives and works on Vashon Island. Chevalier has exhibited widely in the Northwest, as well as in New York, Chicago, Cleveland, and Cincinnati.


RESUME



EDUCATION   
MFA University of Illinois, Champaign-Urbana, Illinois, 1977                             
BFA Cleveland Institute of Art, Cleveland, Ohio, 1975

SELECTED SOLO EXHIBITIONS

2015 Linda Hodges Gallery, Seattle, WA

2014 Linda Hodges Gallery, Seattle, WA
2011 Linda Hodges Gallery, Seattle, WA
2006 Linda Hodges Gallery, Seattle, WA
2003 Linda Hodges Gallery, Seattle, WA
2002 Linda Hodges Gallery, Seattle, WA; Alysia Ducker Gallery, Portland, OR
2000 Linda Hodges Gallery, Seattle, WA
1998 Linda Hodges Gallery, Seattle, WA
1997 Linda Hodges Gallery, Seattle, WA
1994 Linda Hodges Gallery, Seattle, WA
1992 Stremmel Gallery, Reno, Nevada; Post Angeles Art Center, Port Angeles, WA; Linda Hodges Gallery, Seattle, WA
1991 Yellowstone Art Center, Billings, MO; Linda Hodges Gallery, Seattle, WA
1989 Linda Hodges Gallery, Seattle, WA
1988 Linda Hodges Gallery, Seattle, WA
1987 Carl Solway Gallery, Cincinnati, OH
1986 The Fountain Gallery, Portland, OR; Hodges/Banks Gallery, Seattle, WA
1985 Pam Adler Gallery, New York City
1984 Whatcom Museum of Art, Bellingham, WA; Hodges/Banks Gallery, Seattle, WA; Pam Adler Gallery, New York City
1983 Hodges/Banks Gallery, Seattle, WA
1982 Carl Solway Gallery, Cincinnati, OH; The Fountain Gallery, Portland, OR; DBR Gallery, New York City; Pam Adler Gallery, New York City
1981 Betsy Rosenfeld Gallery, Chicago, IL; Carl Solway Gallery, Cincinnati, OH
1980 Traver Gallery, Seattle, WA
1979 Traver Gallery, Seattle, WA

SELECTED GROUP EXHIBITIONS
2010 "Four Views," Linda Hodges Gallery, Seattle WA
2008 25th Anniversary Exhibition, Linda Hodges Gallery, Seattle, WA
2006 Retrospective Part I, The Port Angeles Fine Arts Center, Port Angeles, WA
2001 Natural Causes Gallery One, Ellensburg, WA
2000 Inaugural Group Exhibition, Linda Hodges Gallery, Seattle, WA; Bumberbiennale: Painting 2000, curated by Matthew Kangas, Bumbershoot, Seattle, WA
1997 Spring Eternal, Seafirst Gallery, Seattle, WA
1996 Marking Time, Kittredge Gallery, University of Puget Sound, Tacoma, WA
1995 Group Exhibition, Linda Hodges Gallery, Seattle, WA; Curatorial Eye of James Archer, Archer Gallery, Clark College, Vancouver, WA
1994 Landscape, Tacoma Art Museum, Tacoma, WA
1993 Home, Bellevue Art Museum, Bellevue, WA; Microsoft Collects, Henry Art Gallery, Seattle, WA
1991 Northwest Tales, Anchorage Art Museum, Anchorage, Alaska; Old Focus Northwest, Old Pueblo Museum, Tucson, AZ
1990 Annual Art Auction, Independent Curators Inc., New York City; Wood, Port Angeles Art Center, Port Angeles, Washington
1989 A Different War: Vietnam in Art, Whatcom Museum of Art, Bellingham, WA (1989-1992) Specific Gravity, Western Washington University, Bellingham, WA
1988A Contemporary Survey, Cheney Cowles Museum, Spokane, WA
1987 Focus: Seattle, San Jose Museum of Art, San Jose, CA; Northwest Landscape, Linda Hodges Gallery, Seattle, WA
1986 Drawing Power, Lynn McAllister Gallery, Seattle, WA
1985 American Art Now!  Painting in the 80s, Columbus Museum of Art, Columbus, GA; Group Show, Pam Adler Gallery, New York City
1984 Three-dimensional Paintings, Carl Solway Gallery, Cincinnati, OH; Landscape/Point of View:, The Fountain Gallery, Portland, OR; Surface, Material and Structure, Hodges/Banks Gallery, Seattle, WA
1983 Art of the Pacific Northwest, Brentwood Gallery, St. Louis, MS; The Chicago International Art Exposition, Navy Pier, Chicago, II
1982 Selected Gallery Artists, Pam Adler Gallery, New York City; The Chicago International Art Exposition, Navy Pier, Chicago, IL; The Cleveland Institute of Art:  100 Years, Cleveland Museum of Art, Cleveland, OH
1981 Color on Structure, Ben Shahn Gallery, William Patterson College, Wayne, NJ
1981 Abstraction:  An American Tradition, Henry Art Gallery, University of Washington, Seattle, WA; Gallery Artist, Betsy Rosenfeld Gallery, Chicago, IL; Introductions, The Fountain Gallery, Portland, OR; Invitational, Pam Adler Gallery, New York City; Assemblages-The Private Icon, Henry Art Gallery, University of Washington, Seattle, WA; Between Painting and Sculpture, Pam Adler Gallery, New York City; Pertaining to Houses, Getler/Pall Gallery, New York City; Seattle Drawings, Seattle Pacific University, Seattle, WA
1980 Seattle Invitational, Open Space Gallery, Victoria, B.C., Canada; Eighth Annual, Tacoma Art Museum, Tacoma, WA

GRANTS AND COMMISSIONS
1992 Harborview Hospital, County 1% for art grant, Seattle, WA
1991 AT&T Gateway Tower, Seattle, WA
1990 Mentor Graphics, Beaverton, OR
1988 Quadrant Corporation-A Weyerhauser Company, Seattle, WA
1985 Seattle Arts Commission-Two major commissions for the Seattle Opera House, Seattle, WA
1984 Plum Creek Timber Company Inc. - materials grant

COLLECTIONS
American Express, New York; Art Horizons, New York; Arthur Anderson & Co., Seattle; Bellevue Art Museum, Bellevue; Bogle & Gates, Seattle; Chase Manhattan Bank, New York; Chemical Bank, New York; Chicago First National Bank, Chicago; Claremont Hotel and Resort, Oakland; Contemporary Arts Center, Honolulu; Dayton Art Museum, Dayton; Federal Home Loan Bank, Seattle; Frank Russell Company, Tacoma; GNA Annuities, Seattle Glacier Park Company, Seattle; Harborview Hospital, Seattle; Heller, Ehrman, White & McAuliffe, Tacoma; Kansas State University, Manhattan; J. Patrick Lannan Foundation, Palm Beach; Microsoft, Redmond; The National Vietnam Veterans Art Museum, Chicago, IL; New York State Mortgage, New York; Northwest Building Corporation, Seattle; Olympia and York  Properties, New York; Perkins Coie, Seattle; Port of Tacoma, Tacoma, WA; Physio Control, Seattle; Piper, Jaffrey & Hopwood, Minneapolis; Prudential Insurance Company of America, Newark; Riddell, Williams, Bullitt & Walkinshaw, Seattle; Safeco Insurance Company of America, Seattle; Seattle Art Museum, Seattle; City of Seattle Collection and Seattle Opera House, Seattle; Seattle First National Bank, Seattle; Seattle Junior League, Seattle; Security Pacific National Bank, Los Angeles; Sohio Headquarters, Irvine; Southeast Bank, Miami; Swedish Medical Center, Seattle; Taco Bell Headquarters, Irvine; Tacoma Art Museum, Tacoma; University Hospital, Seattle; University of Oregon, Eugene; Walker, Richer, Quinn, Seattle; Western States Art Foundation; Weyerhaeuser Corporation, Seattle; Wickwire, Lewis, Goldmark & Schorr, Seattle; Zale Corporation, Dallas

EXHIBITION CATALOGS
1991 Jack Chevalier, Terry Karson, Yellowstone Art Center, Billings, MO; "A Different War: Vietnam in Art," Lucy Lippard, Whatcom Museum of Art, Bellingham, WA;
Drawing Power, Lynn McAllister Gallery, Seattle, WA
1983 50 Northwest Artists, Bruce Guenther; "The Cleveland Institute of Art: 100 Years," Ed Henning, Cleveland Art Museum, Cleveland, Ohio; Chicago International Art Exposition - 1982,1983, Chicago, IL
1982 "Color of Structure," Nancy Eireinhofer, Ben Shahn Center for the Visual Arts, Wayne, NJ; "The Washington Year," Henry Art Gallery, University of Washington, Seattle, WA
1977 "Assembled Propositions," Elizabeth McCellan, The School of Fine Arts, Willoughby, OH

REVIEWS
Kangas, Matthew, "Against the Grain: Using Wood Panels, Two Seattle Veterans Take Different Paths," Visual Arts Exhibit Guide, Seattle Times, February 10, 2006, pg. 41  Seattle Times, Matthew Kangas, October, 2000
Art in America, Matthew Kangas, January 1990
Reflex, Elizabeth Bryant, September 1989
Art Forum, Jae Carlsson, November 1989
The Weekly, Matthew Kangas, September, 1989
Seattle Times, Dolores Tarzan, February, 1988
Bellevue Journal American, Lynn Basa, October 1986
Seattle Post Intelligencer, Regina Hackett, October 1984
Arts Magazine, Corinne Robins, May 1985
Arts Magazine, Gail Stavitsky, December 1985
The Weekly, Lyn Smallwood, November 1984
Seattle Post Intelligencer, Regina Hackett, November 1984
Art Forum, Ronny Cohen, May 1984
Arts Magazine, Ron Warren, April 1984
The New York Times, Grace Glueck, February 1984
Art in America, Ron Glowen, December 1983
Seattle Times, Sue Ann Kendall, February 1983
Seattle Post Intelligencer, R.M. Campbell, February 1983
Arts Journal, Geraldine Kiefer, October 1983
Arts Magazine, Stephen Westfall, January 1982
West Art, Matthew Kangas, January 1982
Arts Magazine, Stephen Westfall, July 1981
New Art Examiner, Howard Rossitti, Summer 1979
Art Week Magazine, Ron Glowen, September 1979
The Cleveland Plain Dealer, June 1975

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